అయ్యకు విద్య లేదు, అమ్మకు గర్వమూ లేదు.

ayyaku vidya ledu, ammaku garvamu ledu.

Translation

When the husband has no learning, the wife has no pride.

Meaning

This proverb is used to describe a family or a situation where everyone is simple, humble, or lacks specific status/qualities, leading to a life without complications or pretenses. It often implies a state of being basic or unremarkable but content.

Related Phrases

There is no end to religious ceremonies, and there is no find- ing the times [ fixed for the observance of them ].

This expression highlights the cyclical nature of actions and the unpredictability of time. It is used to convey that one's deeds (karma) have continuous consequences and that the future or the timing of events (kala) is never guaranteed or fixed. It serves as a philosophical reminder to be mindful of actions and to respect the uncertainty of life.

There is no limit to desire. Much would have more. No one is content with his lot. (Portuguese.)* The more one has the more one wants. (Spanish.)?

This expression is used to describe the insatiable nature of human greed or ambition. It implies that once one desire is fulfilled, another takes its place, suggesting that contentment is difficult to achieve if one keeps chasing endless wants.

Neither the woman who lost her earring is sad, nor the woman who found it is happy.

This expression refers to an object or a situation that is of such low value or triviality that its loss doesn't affect the owner, and its discovery doesn't benefit the finder. It is used to describe things that are practically useless or insignificant to everyone involved.

There is no limit to purity, nor any beginning to impurity. Man is sinful from his birth, and never attains to perfect purity.

This proverb highlights that tradition and custom (Achara) can be endlessly elaborate with no final limit, while deviations or lack of tradition (Anachara) have no specific origin or defined structure. It is often used to suggest that one can get lost in the complexities of rituals or that improper conduct has existed forever without a clear starting point.

Neither a string nor a top.

This expression is used to describe someone who lacks any ties, responsibilities, or assets. It often refers to a person who is roaming aimlessly without any sense of direction or accountability, or to a situation that is completely disorganized and lacks a proper basis.

If you listen to the song [in praise] of Kûnalamma, there is no merit; and if you don't listen to it, there is no sin. Kûnalamma is the goddess said to preside over children.

This expression is used to describe something that is completely inconsequential or trivial. It refers to an action or a piece of information that has no positive impact if accepted and no negative impact if ignored. It is often used to dismiss worthless talk or irrelevant activities.

Neither a string nor a top

This expression is used to describe a person who is irresponsible, lacks roots, or has no attachments or accountability. Just as a spinning top cannot be controlled or operated without a string, it refers to someone who is wandering aimlessly or a situation that has no proper foundation or control.

The father has no education, and the mother has no pride.

This expression is used to describe a situation where people are exceptionally simple, modest, or perhaps lacking in expected qualities, yet live together harmoniously. It is often used to characterize a family or a couple who are very humble, unassuming, and devoid of any pretenses or ego.

Neither on that day did I put it on, nor on this day have I torn it.

This proverb is used to describe someone who is consistently lazy, indifferent, or irresponsible. It refers to a person who didn't take the effort to wear/tie a garment properly in the past and doesn't bother about it being torn or ruined in the present. It characterizes a state of having no cares, no progress, and no sense of responsibility regardless of the time or situation.

Said by a poor fellow who had never had the pleasure of putting on a good cloth or the annoyance of tearing it.

No acridity in Kanda or Chêma, how can there be any in Tôṭakûra ?

This expression is used to mock someone who is unnecessarily bothered or offended by something when the people directly involved are perfectly fine. It highlights the absurdity of an outsider reacting more strongly than the principal parties, similar to the English sentiment of being 'more Catholic than the Pope.'

Kanda is the Arum Campanulatum; Chêma is the Colocasia Antiquorum; Tôṭakûra is applied to the Amaranthus Oleraceus, and other herbs. When a man's relatives and friends won't assist him, why should help be expected from a mere acquaintance ?