ఇష్టమైన వస్తువు ఇంగువతో సమానం.

This is a traditional saying among Carnatic music lovers. It suggests that just as 'Meegada' (cream) is the richest and most delicious part of milk, the 'Begada' raga is exceptionally sweet, soothing, and rich in musical essence. It is used to praise the unique beauty and comforting nature of this specific raga.

This proverb refers to the transient and illusory nature of certain desires or possessions. Just as you cannot hold a woman seen in a dream or grab a reflection in the water, some things in life are unreachable or temporary despite appearing real or attractive.

This proverb suggests that when a misfortune or a difficult situation is shared by a large group, it becomes easier to bear. It reflects the human psychological comfort found in solidarity during times of crisis, implying that suffering alone is a tragedy, but suffering together is a shared experience.

This proverb suggests that things we love or value are like asafoetida—even in small quantities or even after the physical object is gone, its impact and 'fragrance' (memory/value) linger on. It is used to describe the lasting impression or the high value placed on cherished possessions or people.

This expression is used to describe a situation where money lent to someone is unlikely to be repaid. Just as a stone has no value in financial transactions and cannot be changed or utilized, a bad debt is considered a dead asset. It serves as a warning or a philosophical acceptance of a financial loss.

This proverb is used to describe people who boast about their past glory or family legacy despite currently living in poverty or having lost all their wealth. Just as a container that once held asafoetida (hing) retains a faint smell even when empty, these people hold onto their status through words alone.

This proverb suggests that when a disaster or misfortune is shared by a large group, it becomes easier to bear than a personal tragedy. Similar to how people gather for a wedding, a collective struggle provides a sense of solidarity and reduces individual grief.

This expression is used to describe someone who comes from an illustrious or highly skilled background but fails to exhibit any extraordinary talent or greatness themselves. It highlights the irony of having a powerful lineage while remaining mediocre or ordinary in one's own capabilities.

This traditional Telugu proverb refers to the specific family dynamic when a girl is born after three sons. It suggests that such a child is treated with high regard, authority, or maturity within the household, similar to the status of a co-sister-in-law (Eralu) who shares responsibilities and status in the family hierarchy.

This proverb describes how a person's past status, experiences, or reputation (good or bad) continue to influence their character or how others perceive them, even after their circumstances have changed. It is often used to refer to someone who was once wealthy or powerful and still carries those mannerisms or 'aura' even if they are currently poor.