మోటు గాలికి వెరవడు.
motu galiki veravadu.
A rough man does not fear the wind.
This expression refers to a person who is toughened by hardship or lack of refinement. It describes someone who is insensitive to subtle changes or social niceties because they are used to a harsh, rugged, or coarse lifestyle.
Related Phrases
కాలికి వేస్తే వేలికి, వేలికి వేస్తే కాలికి
kaliki veste veliki, veliki veste kaliki
If tied to the leg, it moves to the finger; if tied to the finger, it moves to the leg.
This expression describes a person who is extremely manipulative, slippery, or cunning. It is used for someone who always has a counter-argument or a way to twist words to escape accountability, making it impossible to pin them down to a single point.
మొక్కేవారికి వెరవనా, మొట్టేవారికి వెరవనా?
mokkevariki veravana, mottevariki veravana?
Shall I fear those who salute me? or those who rap me with their knuckles?
This proverb is used to describe a state of confusion or dilemma when facing contradictory reactions or consequences from different people. It is often used by someone in a position of authority or a performer who is receiving both excessive praise (bowing) and harsh criticism or physical harm (striking) at the same time, wondering which group poses the greater threat or deserves more attention.
Yielding to force and not to entreaties.
పెనుగాలికి, కాచినమాను వెరచునుగాని, పెనుమొద్దు వెరచునా?
penugaliki, kachinamanu verachunugani, penumoddu verachuna?
A tree full of fruit fears the gale, but does a heavy log fear it?
This proverb highlights that those who have something to lose (like a tree with fruit or a person with status/responsibilities) are vulnerable and cautious, whereas those who have nothing to lose or are insensitive (like a dead log) remain indifferent to threats. It is used to describe how people with responsibilities must be careful, while the idle or thick-skinned are unbothered.
వేలుకు వేస్తే కాలికి, కాలికి వేస్తే వేలికి.
veluku veste kaliki, kaliki veste veliki.
If put on the finger it goes to the toe, and if put on the toe it goes to the finger.
This expression is used to describe a person who is extremely manipulative, inconsistent, or shifty in their speech. It refers to someone who changes their story or logic constantly to suit their convenience, making it impossible to pin them down to a single fact or commitment.
బోడిమాను గాలికి మిండడు
bodimanu galiki mindadu
A bare tree does not sway in the wind
This proverb describes a person who is detached or has nothing left to lose. Just as a tree without leaves or branches offers no resistance to the wind and remains unaffected, a person with no attachments, wealth, or ego cannot be troubled or swayed by external threats or worldly problems.
వెరపింపబోయి వెరచినట్లు
verapimpaboyi verachinatlu
Going to frighten someone and ending up getting frightened instead.
This expression is used to describe a situation where someone sets out to scare, intimidate, or trick another person, but the plan backfires and they end up becoming the victim of fear or the same trick themselves. It is similar to the concept of 'the tables being turned' or 'the prankster getting pranked.'
యముడన్నా, శివుడన్నా వెరవని వాడుండడు.
yamudanna, shivudanna veravani vadundadu.
There is no one who does not fear either Yama or Shiva.
This expression implies that every person, no matter how powerful or defiant, is ultimately subject to divine authority, the laws of karma, or the inevitability of death. Yama represents the god of death and justice, while Shiva represents the supreme power of destruction and transformation. It is used to suggest that everyone has a moral compass or a fear of ultimate consequences.
కుండ వేరైతే, కులం వేరా?
kunda veraite, kulam vera?
If the pot is different, is the caste (or origin) different?
This proverb emphasizes that while the forms, shapes, or appearances of things might differ, their fundamental essence remains the same. Just as different pots are made from the same clay, all humans have the same origin despite their social divisions or physical differences. It is used to point out underlying unity or to challenge superficial discrimination.
వాతికి వెరతునా, పీతికి వెరతునా అన్నట్లు
vatiki veratuna, pitiki veratuna annatlu
Like saying, should I fear the mouth or fear the excrement?
This expression is used to describe a situation where a person is caught between two equally unpleasant, repulsive, or problematic choices. It highlights a dilemma where both options are distasteful, often used in a colloquial or earthy manner to describe someone being stubborn or difficult to deal with from both ends.
సుకవి తిట్లకు దొరబిడ్డ వెరచుగాని మోటుగాడు వెరచునా?
sukavi titlaku dorabidda verachugani motugadu verachuna?
A nobleman's child fears a good poet's curse, but will a rustic boor ever fear it?
This proverb highlights the difference in sensibilities between refined, cultured individuals and uncouth or ignorant people. A person of high status or education cares about their reputation and the power of words (literary criticism or moral condemnation), whereas a crude or ignorant person is indifferent to such intellectual or social consequences because they lack the refinement to understand them.