రాగభోగాలు- అంకమ్మ శివాలు
ragabhogalu- ankamma shivalu
Royal luxuries vs Ankamma's wild dances
This proverb is used to describe a situation where there is a sharp contrast or contradiction between one's outward lifestyle and their actual behavior or reality. It often refers to someone who aspires for grand luxuries (Raagabhogalu) but acts in a chaotic, uncontrolled, or aggressive manner (Ankamma Shivalu), or a situation where things start with great pomp but end in chaos.
Related Phrases
కాకిసోమాల కూతురు - అంకమ్మ కళల అల్లుడు
kakisomala kuturu - ankamma kalala alludu
The daughter of Kaki Somalu - The son-in-law of Ankamma's dreams
This expression is used to describe a match or a pairing of two people who are equally strange, foolish, or mismatched. It highlights a situation where both parties in a relationship or a deal have peculiar or undesirable traits, making them a perfect (yet ironic) fit for each other. It is often used humorously to comment on odd couples or peculiar social connections.
ఆయనకేమున్నది - అంకమ్మ ఆకులు, పోలేరమ్మ బొచ్చు
ayanakemunnadi - ankamma akulu, poleramma bochchu
What does he have? - Ankamma's leaves and Poleramma's hair.
This proverb is used to describe a person who possesses nothing of their own or is a complete fraud. It refers to someone who survives or shows off using things that belong to others or by collecting useless scraps. Ankamma and Poleramma are local folk deities; the phrase implies he is merely left with the discarded offerings or insignificant remains of these rituals, signifying total poverty or lack of substance.
శివరాత్రికి శివలింగాలంత మామిడికాయలు
shivaratriki shivalingalanta mamidikayalu
By Shivaratri, mangoes grow to the size of Shivalingas.
This is a traditional agricultural observation or proverb indicating that by the time of the Maha Shivaratri festival (usually in late February or early March), the young green mangoes on the trees should have grown to a significant size, comparable to small stone lingas. It serves as a seasonal marker for the growth of the mango crop.
శివరాత్రికి చలి శివశివా అని పోతుంది.
shivaratriki chali shivashiva ani potundi.
By Maha Shivaratri, the cold departs saying 'Shiva Shiva'.
This is a popular seasonal saying in Telugu culture indicating that the peak winter season ends with the Maha Shivaratri festival. It suggests that the intensity of the cold weather significantly diminishes after this day, marking the transition into spring and summer.
శివరాత్రికి చలి శివ శివ అని పోతుంది
shivaratriki chali shiva shiva ani potundi
By Maha Shivaratri, the cold leaves saying 'Shiva Shiva'.
This is a popular Telugu saying indicating that the winter season officially ends and the weather starts warming up after the festival of Maha Shivaratri. It describes the seasonal transition from winter to spring.
భోగభాగ్యాలు అక్క కుడిస్తే, అంబటి పరకలు బావ కుడిచినాడు.
bhogabhagyalu akka kudiste, ambati parakalu bava kudichinadu.
While my sister enjoyed every luxury, my brother-in-law had nothing to eat but the scum of the porridge. Said of a man who is poorly treated in his father-in-law's house while his wife fares well.
This proverb describes a situation of extreme inequality within a family or partnership where one person enjoys all the benefits and luxuries, while the person responsible for or supporting them is left with the remains or suffers in poverty. It is used to highlight unfair distribution of wealth or credit.
శిలాభోగం, స్థలభోగం, నరభోగం, కానరావు.
shilabhogam, sthalabhogam, narabhogam, kanaravu.
The fortune of a stone, a place, and a man cannot be foreseen. The first may be formed into an idol and be worshipped ; the second may be cultivated and made fruitful, or adorned with a beautiful edifice ; and the third may become wealthy and be raised to a position of influence.
This proverb is used to convey that the ultimate fate or hidden potential of a piece of land, a stone, or a human being is unpredictable. Just as an ordinary stone might be carved into a deity and worshipped (Shila Bhogam), or an empty plot might become a palace (Sthala Bhogam), a person's future fortune or destiny is invisible and can change unexpectedly.
అర్ధరాత్రివేళ అంకమ్మ సివాలు
ardharatrivela ankamma sivalu
The goddess Ankamma's wild dance at midnight.
Used to describe someone who starts a task or creates a commotion at a highly inappropriate or inconvenient time. It refers to sudden, chaotic behavior when everyone else is trying to rest or when it is least expected.
ఆరగోపాలు అంకమ్మవి, పొలికేకలు పోలేరమ్మవి.
aragopalu ankammavi, polikekalu polerammavi.
The offerings belong to Ankamma, but the celebratory shouts belong to Poleramma.
This proverb is used to describe a situation where one person does the hard work or provides the resources, but another person takes the credit or gets the limelight. It highlights an unfair distribution of recognition or benefits.
వీరమ్మ భోగం, రాగమ్మ రాగం
viramma bhogam, ragamma ragam
Veeramma's luxury and Raagamma's melody.
This proverb is used to describe a situation where two people are in their own separate worlds, each preoccupied with their own specific habits, luxuries, or problems without any coordination. It is often applied to a household or a group where there is a lack of unity and everyone acts according to their own whims.