ఊళ్లో పెళ్ళయితే అంకుముండలకు రాగిసంకటి దిగదు

ullo pellayite ankumundalaku ragisankati digadu

Translation

If there is a wedding in the village, the jealous people cannot swallow their ragi porridge.

Meaning

This proverb is used to describe envious or spiteful people who cannot bear to see others celebrating or being happy. Even though the event doesn't affect them negatively, their jealousy is so intense that they lose their appetite and peace of mind just knowing someone else is enjoying a festive occasion.

Related Phrases

The queen has arrived and supposedly asked for Ragi Sankati (finger millet porridge).

This sarcastic expression is used when someone acts superior or puts on airs of royalty, but their requests or needs are very basic or humble. It highlights the contradiction between one's high status/attitude and the simple reality of a situation.

When asked if she was a daughter to the potter's house, she replied that her grandmother had a secret husband.

This expression is used to describe a person who gives an irrelevant, nonsensical, or overly complicated answer to a simple question. It highlights a situation where someone reveals unnecessary or scandalous information instead of directly addressing the topic at hand.

The father celebrates the marriage, while the mother suffers the hardship of a co-wife.

This proverb describes a situation where one person's joy or celebration causes direct misery or hardship to another. It is used to highlight conflicting interests or cases where an action is selfishly celebrated without considering the pain it inflicts on those closest.

A marriage in the house is a fine thing for the village dogs.

This proverb describes people who get unnecessarily excited or busy with affairs that do not concern them or where they have no significant role. It is used to mock someone who acts important or busy in someone else's business or celebration.

Men crowd to enjoy that for which they don't pay.

A lamp that flickers out is useless for the house, a rebellious wife is useless for the husband, and a child that refuses to sit is useless on the hip.

This proverb lists three things that fail to serve their intended purpose. It emphasizes that utility and harmony are essential in relationships and tools. If a lamp doesn't provide light, a spouse doesn't provide companionship, or a child is constantly unruly, they cannot fulfill their roles effectively.

Like entering a village while carrying a monitor lizard under one's arm.

This expression is used to describe a situation where someone intentionally brings a source of trouble, misfortune, or a nuisance into their own environment or home. It refers to a person who creates their own problems by associating with something or someone inherently problematic.

When sixty years have passed, dotage.

This proverb is used to describe the onset of senility or behavioral changes in old age. It suggests that when a person reaches sixty, they may lose their mental clarity, become forgetful, or act in an eccentric and unpredictable manner due to their aging mind.

A child who has climbed onto the hip won't get down even if they die.

This proverb is used to describe a situation where someone gets too comfortable with a favor or a position of privilege and refuses to let go of it. It typically refers to people who take advantage of others' kindness or tolerance and become a burden, refusing to become independent or vacate their position.

A child who has climbed onto the hip/waist will not get down even if they die.

This proverb is used to describe a person who has become a persistent burden or a problem that is impossible to get rid of once you have allowed it to start. It refers to situations where an initial act of help or indulgence leads to a permanent, clinging dependency or a nuisance that refuses to leave.

No one knows when a wedding happens in a poor man's house.

This proverb is used to describe an event or situation that goes completely unnoticed or unrecognized by society due to the lack of status or wealth of the person involved. It highlights how the joys or struggles of the underprivileged often remain invisible to the world.